KodaChrome

So someone makes a movie centered around the fact that Kodak just discontinued their film development branch. It’s a metaphor that I’m sure I did not fully get (other than the fact that the movie itself was filmed on Kodak 35mm film).
So Ed Harris plays a man who is a photographer that uses this film and he wanted to develop some film he never got around to in order to do a new art show, his last art show, cause he’s on his death bed. Killing two birds with one stone, he request that his son come along with him on a trip to the kodak factory.
Jason Sudeikis plays the son, an A&R guy at a small record company about to loose his job cause he lost the magic and this trip gives him a second chance at it when he’s pursued to go on a road trip with a man he hates in order to get a meeting with a band he wants to signed. This is not the 1st time that Sudeikis has played this dude. The adult who came of age in the 90s and analyzes people and life base on Nirvana and Live (but never Dr. Dre, as if no white guy in the 90s was listening to the chronic on a regular? I would put money that as a teen, Sudeikis rolled up a joint while chilling to Nothing but a G Thang (baby!). Well as one of those guys who did come of age in the 90s, the metaphor of holding on to something a little too tight was easier explain by music than by the photographs.
Elisabeth Olsen was also in the film as the nurse of ED Harris character Ben. She came on the road trip to make sure that Ben and his son don’t kill each other before Ben dies of cancer. Sort of monitoring the banter between them, as well as being Sudeikis’ straight man for when he went on his runt about 90s music.
Sudeikis, Harris and olsen make a great team. Not so much for the story cause the road ship overall just seem like a moving point to go somewhere and enhance good banter while doing it, but it’s all about watching the magic of these three.